show & tell (blog)

  • Hey everyone! Summer’s been a bit of a tough season but I’m excited for the fall. Trying to gather new freelance projects and fund some fun new projects amidst my teaching practice… so I decided to put up some more art on Inprnt, including a selection of phone cases! (check the fish, monkey, fox and beetle ones)

    I hope you enjoy! More fun to come, believe you me. And if any clients want to make some magic, I am ready!

  • These little chums are going to be a part of Pony Club Gallery’s upcoming RIDE show, curated by Martin Ontiveros… True fact– while I play around with a lot of mixed media, it’s rare that I ever do a start to finish traditional media piece. It is really hard and surprisingly a bit nervewracking– I am hoping to try and do it more often though so I can loosen up!

  • Tonight I’ll be drawing in the 7pm shift! In the spirit of artistic camaraderie and a bit of friendly competition (an exhibition theme in Gods & Heroes), the Portland Art Museum will host its first ever Monster Drawing Rally (MDR). MDR is a live drawing event and fundraiser featuring more than 75 Portland-based artists. Part performance, part laboratory, part art bazaar, the Monster Drawing Rally is an incredible opportunity to watch some of your favorite Portland artists create original drawings from a blank page.

    The event begins promptly at 6 p.m. and consists of three one-hour rounds, each featuring approximately 25 different artists simultaneously drawing. As the drawings are completed, they are immediately hung up and made available for a price of $35 each. If more than one person wants to purchase a particular work, the winner will be determined by drawing straws. Proceeds support free school and youth programs at the Museum. The Monster Drawing Rally provides a unique opportunity to watch a drawing come to life, and to purchase a work of art minutes after its completion.

    Nickbynickjacobs will be spinning tunes, and there will be food and beverages available for purchase.

    Bring the family!
    The Museum will also feature the Li’l Monster Drawing Rally, a section where children and families may sit, draw and display their work for the evening.

    Admission to the rally is free to the public. (at Portland Art Museum)

  • I’m gonna try and make a pillow soon to use up some excess stuffing. So I mocked up a lil’ fox design– trying to play with more simpler design choices. Hemming and hawing whether to make a secondary design for the back or find a textile that coordinates!

    I gotta get back into making some home goods!

  • I am trying a new self-driven project fusing two things I like a whole lot- lettering and comedy. I call it #letterriffic - letters plus riffs! Expect entries from stand up, tv, movies and podcasts. First up, a bit from one of my favorite podcasts #MBMBaM episode 126.(I’m psyched to see them live soon!)

  • Tonight marks the opening of Light Grey Art Lab’s Patches and Stitches show– I was really excited for this one. As you all are probably aware at this point LGAL is an amazing gallery, and every show I participate in forces me to step outside my comfort zone and try something new. This is a mix of old and new; in college I did a semester long project of embroidered textiles all about monsters, and in my senior year I screenprinted, appliqued, and embroidered on a series of pieces too.

    But looking at the amazing examples of embroidery out there nowadays got me really excited to break back into stitching and mixing paint and thread for some great tactile contrast.

    I originally planned to make two embroidered wall hangings referencing the old moral story of the Lady or the Tiger; but I didn’t quite anticipate quite how long it takes to embroider a single piece! Still, it was really a fun challenge to think about how to translate markmaking into thread– I learned a lot making this piece, and I’m excited to start making more (although I might try and mix printed cloth with embroidery–it’d be fun to make an embroidered edition or series!). I would love to play with transparent overlaid screenprint layers with embroidery, for example… I can imagine a Penguin Threads cover with that! Or maybe a solo show exploring ceramics, embroideries, and other 3D installation work. One day…

    If you’re in Minneapolis, please check it out tonight 8-10pm!

  • Hi everyone– I’m mentoring in the fall with Motivarti again! They’ve listed me as their mentor of the day– so honored! If you have a creative project (whether it’s narrative work, freelance illustration, or even taking some creative risks and trying some new techniques), I’d love to work with you to make the fall colorful and productive.

    Applications are open now– the deadline is July 26!

  • Rounding out the work I made as a response to 2014’s Light Grey Art Lab Icelandic Residency was a little accordion book that documented a few moments and thoughts from the trip. Pulling this book together was challenging and went through a lot of different iterations (first it was a Risograph* book, then a longer accordion book); with every compression (refining that puffin coupled with balancing freelance, teaching and mentoring duties ate up such time!) it began to be trickier to pick out moments to show. Again, when you pack dozens of amazing experiences in a handful of days, how do you pick and choose which were most meaningful?

    Including my sketch on the first page (which admittedly is way more refined than my actual sketchbook!), I focused on six moments from the trip– from exploring the fields near our farmhouse with the most fabulous Icelandic horses to leaping gleefully across huge squishy moss fields to one of my most quietest moments on the trip, focusing on the rock cairns I found myself fascinated by and would later build. To tie it all together, I decided to hint at a subtle horizon across the pages– it starts with the shadow of my trusty backpack and invisibly connects across rocks stacked in a cairn on the last pages. The pages flit between autobiography and fiction, as initially I didn’t really want to illustrate any of our group. But a couple of photos in Sólheimajökull (one of my favorite spots on the trip) really struck my fancy, seeing my backpack and pink hair light up against the grays and blacks of the scene. So I knew that I would wind up inserting myself into that image. That moment I chose to take a longer breath across two pages for visual punch– that dose of wonder as you round the corner and see your first glacier.

    There are still lots of things about Iceland I’d like to explore, so while this book is a finished object for now, I’m not done ruminating about it and thinking about what else I’d like to add. I guess that’s the fantastic thing about travel! My many thanks to Light Grey Art Lab– I have felt really lucky over the years to be able to take part in so many experiences with them, from gallery shows to workshops to now travel. To many more, my friends.

    You can buy Explorer’s Log and all the other art from the exhibition (including my dear puffin friend!) at LGAL’s shop! Don’t miss out!

    *I probably still will make that Riso at some point, or maybe after a couple more travel experiences and residencies so I can talk about travel! I am hooked.

  • Been slowly getting back into the swing of sharing things… These were some smaller, experimental pieces tied in with Light Grey Art Lab Iceland exhibition. All throughout the process of travelling and reflecting on this incredible experience, I couldn’t shake the fact that the landscape was so impenetrable for me. So much detail and ever-changing strangeness! I was in awe; but every time I sat down to draw from it I got stuck on the details in my memory and in my photographs.

    So instead of trying to focus in on realistically nailing the space I thought back on the other wonderful part of this trip; the people I shared it with. Many of my photos were of my peers peeking at details, collecting samples, snapping photographs, soaking it all in. For much of the trip, it felt like we were alone in the world left to explore this strangely lovely place. So these pieces involved me getting back to carving rubylith into the shapes of explorers, moss and stones and then overlaying them on top of abstracted versions of the photographs I took, letting colors happen by chance. For the last piece, I wanted to make sure I had a little piece of my husband Mike’s experience on the trip too, so I lettered a little thought he had based on walking through Þingvellir.

    I’ll share the last piece (an accordion book) later this week!

    PS: Have you looked at the work from the exhibition? It’s really fantastic.