Illustration for the May/June issue of Planadviser. Really pleased with how this one turned out– thanks as always to SooJin Buzelli for the project!
A recent illustration for the Skin Cancer Foundation Journal’s 2016 redesign. This illustration accompanied a quiz about your skin care IQ.
Thanks to AD Robert Priest for the fun project!
I can’t believe March is nearly over! Time is passing so quickly, but this week I finally got back into the print studio to wrap up this screenprint. I started this one back in summer of 2014 and for a long while lost track of it, so this week I designed two more layers to finish it up.
I’ve learned that if you hit pause for too long on a piece of art, it can be really hard to get back in the swing of things. And also, designing layers as you go can slow things down if life gets in the way. I’m a different illustrator than I was in 2014, and so if I took this concept and designed it from scratch today, it’d probably look pretty different. Still, it’s really fun to see this one finished and start back on some new images that let me experiment in some different ways of making!
I’ll be selling this screenprint along with some other pieces at a community event coinciding with the SGCI Portland conference at Thurman Street Collective (2301 NW Thurman) in NW Portland tomorrow, March 31 from 7-10! After that, I’ll be selling leftover prints at Linework NW, and on my online shop in the coming weeks.
Beetleriders, 5 color screenprint, 11x14", edition of 18.
Some lettering I made and liked recently that sums up my thoughts about working.
Recent illustration for Plansponsor– thanks as always to SooJin Buzelli for her expert art direction!
I recently worked on another illustration for Adobe’s Learn team, creating a hero illustration for a tutorial for creating images for social media. We ran with a farmer’s market theme– had a lot of fun with this one!
I recently got to work on an illustration for the New York Times, accompanying an article in this past Sunday Business section. The piece was all about the ongoing regrets of missing an opportunity to become an acting star as a child. The article is here: http://www.nytimes.com/2016/03/13/jobs/for-a-child-actor-the-tears-didnt-come-until-it-was-too-late.html
Thanks to AD Minh Uong!
Less than 24 Hours Left!!!
These books WILL NOT be printed again after this project ends!
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We are close to the end of what has been an INSANE month! Thank you so much for everyone who has supported and shared this project so far!!!
An insight from yesterday.
Since 1001 Knights met its minimum funding goal (wow!), I figured I’d share my piece for the project.
Flydhra is an undersea knight with a few barbarian tendencies. Her armor is homemade, pulled together from barnacles, seaweed, coral and seashells. This allows her to blend in with the ocean floor and hide from unexpected enemies. With her blowfish mace, her natural strength and scrappy ingenuity, she can slam through any foe!
When I designed Flydhra (whose name comes from the Old Norse for ‘flounder’), my sketches were loose but weighty– I wanted to play away from typical expectations for undersea dwellers (delicate, mermaid-like, overtly sexy) and also play up my love of drawing more varieties of body-type. After lots of sketches, I made a goofy little drawing with eyes placed like a flounder’s and knew I’d found my knight.
This piece is designed like I would a screenprint, with 4 colors overlaid on top of each other.
Still plenty of time to back 1001 Knights– go to their Kickstarter to learn more!
1001 Knights is a massive 3-volume anthology project focusing on creating people-positive characters with feminist overtones. Over the course of 3 volumes, 250+ artists explore themes about what it means to be a knight and what makes for a strong character through illustration, comics, poetry, and prose. The artists involved have worked long and hard to create meaningful art that will uplift and inspire readers. 1,001 knights will be represented between all 3 volumes, including fictional characters and the contributing artists. In order to make this the coolest and most epic anthology we can dream of, we need your help! All money raised will go towards making the book and compensating the participating artists. 1001 Knights is created & curated by Annie Stoll & Kevin Jay Stanton.
✦✰✠⚔ KICKSTARTER LINK | ALL ARTISTS LINK ⚔✠✰✦
Rise a knight & help us spread the word so we can make this anthology a reality!
I keep a folder of personal writing to help me grow as an illustrator. On a particularly aimless moment in 2013, I wrote a manifesto to better understand what I’m all about, or what I want to be about but might not be there just yet. I hadn’t reread it til today, but I am glad I did. So now I want to share it with you. It’s long, but I didn’t want to break it up. I hope you enjoy. -meg
Making art is probably not key to our survival as human beings; it may not clothe us or protect us from the elements. But it does feed us, and like food it can be nourishing or it can be junk. I despise the idea of contributing to the junk, to be easily consumed and forgotten. It will never last eternally, and I will never work on a magnum opus– that implies I have no more left to give. I must always move forward like a shark; but I should have a mind and heart like an elephant. A tenacious, complex and thoughtful giant willing to attack when it counts.
My work should have heart; it does not have to trumpet loudly a MESSAGE! all the time because some of the most powerful moments are very small and often aren’t noticed unless you’re really paying attention. Sometimes it’s important to elucidate these things no one notices– those details only I notice. These key moments of heart are the showcase of my work. I am fascinated by the world at large as well as the smaller human interactions, by societies and cultures both old and new. I am not interested in riffing on pop culture; it has its own manifesto and pathway. It is important to me that my work builds on concepts, not riffing on a punchline. Pop culture is often too easy to digest and throw away, unless you have a way to connect beyond. I respect it but it’s not for me. There are too many easy jokes, callbacks– I’m in it for a deeper read. I want to find ways to tell stories, push deeper into ideas and connect different weird threads. I want to draw you in close and tell you secrets, ask you to sit with me to spend a moment together, to stir something in you.
Even so, I will always want to think about emotion. Laughter and joy should present themselves in my work, as well as delight. But at the same time, sometimes I want to explore darker or more thoughtful moments– and these ideas should be in my work too. Too much joy is bland and saccharine, artificial and cloying. There needs to be balance to temper it and a willingness to explore things more unexpected. This balance is that heart I am seeking, and I need to find something in the things I make. If I don’t feel delighted by an idea (even a serious one) I must question why? It’s not about having to create a BIG important idea that’s never been seen before, but it should stir something in you (no matter how small) to explore in future work. It’s necessary to explore more than just the most literal, at least initially- sometimes straightforward solutions can serve a purpose but metaphor, puzzles and wordplay can open up new exciting directions.
It is vital to my process to never stop learning and growing. Through experimenting and reflecting, I can learn new ways of seeing. By recognizing that I will be learning throughout my life, the world becomes that much richer and I become its willing pupil. Curiosity is my driving force. The more I ask questions and dig deep, the more honesty I can find, the larger the bounds of my world become. I must listen, engage and be willing to learn from any source. I must accept that I know nothing but the world can teach me everything. I can learn things from exploration as well as education; experimenting leads to ideas, and research leads to remixing, building ideas like towers.
I must look outside the internet for enrichment. I must look outside illustration, find new hobbies, meet new people, travel the world. I must not spend my time, money and resources on things that do not enrich my being.
It’s important to be honest. Honesty and transparency with my peers, with my clients, with my family and my heart will lead to new realizations. I care about this little world I inhabit; I give back to it by teaching these younger versions of myself and my current self in the process. I must be willing to gather up my research and give myself away– I cannot be hard and secretive; I must be willing to let go and show myself. There will always be more ideas, even when I think I have no more inside. Scrape the inside of the bowl and you’ll find a morsel; find those little scraps of kindling to throw them into the dying fire and it’ll build back up.
Process is so much more important in the long run than tangible results. Awards and validation, pats on the head are not why I spend so many hours working and worrying. I am trying to make things in order to understand my limits, understand my world and what I have to say. It’s okay to not be polished all the time, and it’s okay to not know what my life’s mission is. Process will help define this and show me new directions to stretch in.
When I freeze, I must ask myself why and unpack those ideas before moving forward. Failure is not an option, because there is no such thing as true failure. Remember there is nothing to lose in taking a risk; perhaps making an ugly little child, but this experiment might lead to an attractive sibling or cousin later. You can always let it go be something else and move onto new creations. In other words, say ‘fuck it’ to preciousness. Do not worry about good or bad, or about right or wrong. Pithy sentiments are not the point either; you must attack with vigor and reflect after. Be fierce. Look back, look forward, find the rhythm and step back to see where you’ve gone. Forgive ugly work and learn from it. They have lessons to teach you if you’d only listen instead of run away and hide.
It’s different though to say no. Saying no is ruthless yet empowering; say yes to the things that truly matter.
Reacting to my weaknesses is okay; but fixating on my missteps serves no one and is looking at the problem the wrong way. Instead I must look towards solutions and realize I have been given a path to travel; and it is going to be rough and knock me about the head until it starts making sense. But this is the creative process! Better to be knocked about the head than avoiding problems til you’re dead. In the long run, I wouldn’t have it any other way.
Well, I’m a little behind on my usual yearly post– but still super enthusiastic for 2016! 2015 was a busy, crazy, and good year– my first picture book came out and was received well; I got to meet many lovely new people, try my hand at a few new skills, travel to Canada again, develop a new class for PNCA and work with some fantastic young illustrators, won a medal, and all along the way worked on some really fun personal and professional projects. It’s been a year of exploration and experimentation. I read an interesting article by Anne Ditmeyer about choosing to think of the new year in terms of themes, not resolutions. I really like this; so I am going to think about 2016 as the year of digging deep and following through. A few goals for 2016:
- Travel more. I was really happy to go to Canada as part of another travel excursion; and I’d love to get some more excuses to travel and work and refill the well.
- Write more. Writing and combining words and ideas can lead to new narratives, worldbuilding, themes to explore. I want to own what I’m passionate about.
- Work on another picture book and maybe some other books/book covers! I am so excited about picture books and I really can’t wait to work on another one and build my picture book skills.
- Find more opportunities for collaboration on product design/packaging. I love making small scale products myself, but I would love to make some bigger and brighter things happen, and collaborate with companies and designers who can make my work even stronger.
- Find balance. I hurt myself a few times this year! I need to improve my physical wellbeing, and also balance things better so I don’t feel like I’m working myself too hard at the expense of personal life. Finding opportunities to outsource, say no, or change my business practices will be helpful.
- Narrow my scope just a skosh. This one’s hard, because I love doing so much stuff– but I am hoping to let go of a few explorations in order to make better quality, focused work.
- Build in more time for personal work, but also loosen up what makes something feel ‘finished.’ Shorter exploratory zines/series of work, simpler information, and so on.
- Deepen my sketchbook practice. I want to draw things I haven’t drawn before, practice more drawing from life, and hopefully build in daily sketchbook time. I miss it.
I can’t wait– let’s make 2016 great guys!
A recent illustration for Planadviser’s December issue. The prompt was ‘going global–’ hence, a global dandelion-fox hunt.
Thanks as always to SooJin Buzelli for the project!